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Soft Cell's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) formed Soft Cell with Marc Almond in Leeds in 1977

The talented musician, a key member of the innovative 1980s electronic music band Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the team achieved a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their debut album their initial full-length release is considered a seminal work of synth-pop.

He subsequently founded the pioneering electronic act The Grid, who achieved popular acclaim with 1994's the hit Swamp Thing.

Ball died calmly in his rest at his home in London on Wednesday 22 October, only a short time after playing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Recent Health Challenges

During that performance, Ball appeared in a wheelchair, as he had for the last two years, after a spate of ill-health.

"I managed to injure myself significantly," he stated in 2023. "I broke spinal bones in my back and cracked about five ribs and fractured my arm."

After catching pneumonia and developing blood poisoning, he was put in an medically-induced sleep and remained in hospital for seven months.

Nevertheless, he had been in "high spirits emotionally" over the summer, as he worked on a new album with Almond, called Danceteria, which is set for publication next year.

"He was concentrated and so happy with the new album that we actually finished only a short time ago," stated the vocalist in a tribute.
"It's so sad as 2026 was completely planned to be such an uplifting year for him, and I find comfort from the knowledge that he heard the completed album and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the forefront of the synth-pop movement in the beginning of the decade

Tributes

Almond referred to his bandmate as "a wonderfully brilliant creative mastermind", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an immense aspect of my existence and for the songs you created with me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, remembering Ball's "endless laughter" and "steadfast support".

"Being in a duo with someone is different from being in a group, the connection is very tight," he continued.
"That's how it was with us. We went through so many remarkable, extraordinary, memorable moments together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Formative Years

Born into a one-parent family in Chester in the late 50s, Ball was given up for adoption when he was 18 months of age.

He was raised in the seaside town with his new family Donald and Brenda Ball, who changed his given name from Paul to David, together with his younger sister his sister, who was similarly welcomed.

He met Almond at Leeds Polytechnic in the late 70s, where they were both learning fine arts. Inspired by a mutual passion of Northern Soul, they established Soft Cell the same year, and promptly produced an EP.

Musical Partnership

The duo were an unusual pairing: Ball was the reserved technician, hunched over his keyboard, while Almond was a flamboyant showman, all sparkle and eye-liner; but they attained a unique musical alchemy.

Ball had developed a fascination with electronic instruments after watching the band Kraftwerk perform on BBC science show Tomorrow's World, and started to marry moody electronic sounds to the soaring melodies Almond was writing.

Their signature song became the UK's second biggest-selling song of the early 80s, selling 21 million copies worldwide. Alongside hits by Gary Numan, Human League and Ultravox, it contributed to paved the path for the electronic music style of the 80s.

The track was also included on their first album, Non-Stop Erotic Cabaret, which produced two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the separate release, Torch, which reached at number two in the following year.

Soft Cell in the studio
The duo were working on new material until just before Ball's passing

Professional Journey

Fame had its benefits. "I enjoyed being able to afford my first home, having financial security and exploring, which makes me sound like a Miss World," Ball not long ago told with a music magazine.

But it also caused problems. "Sudden riches meant we could purchase substances to relieve the monotony" of media interviews and television shows, Ball explained.

"I know that's a common saying, but it's a cliché for a valid cause, because it applies for so many bands."

During the hedonistic lifestyle, the pair were also drifting apart, but they managed to create a second classic album - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They released another LP, 1984's This Last Night In Sodom, before dissolving the band to focus on other projects.

Almond went on to have a successful individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed acid house with melodic sounds over a long-lasting partnership.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, releasing the Top 40 record Cruelty Without Beauty.

Following another break, they reappeared in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the large venue on 30 September, that year.

However, they stayed together, recording their fifth album, Happiness Not Included, during the 2020 Covid lockdown.

Ball lately described the band's new album as a homage to the NYC nightlife they visited while making their initial records.

He added that his time in hospital had influenced the group's music.

"I experienced strange recollections when I was coming and going of hospital because I was on morphine," he told a publication.
"Our latest tracks are a electronic representation of the noises in my head from those days.
"In parallel, it's about the times we had in the 80s."

The final mixes were finished only days before Ball passed away. It is scheduled for launch in the spring of 2026.

The writer

James Thompson

An avid mountaineer and photographer who documents her alpine expeditions across Europe, sharing tips on gear and trail navigation.

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